SABRINA CALLAHAN

• Developed and monitored the production budget for a two-day immersive installation exploring production ecologies and material reuse, tracking expenditure and allocating costs
• Prepared and organised supplier invoices and financial documentation for a multi-collaborator production, checking accuracy before processing across multiple months
• Coordinated supplier and collaborator information to support timely payments and production requirements
• Managed project correspondence, scheduling and administrative records; supported logistical planning and on-site delivery of the installation

• Led commercialisation communications and brand partnerships, including a podcast feature secured for the Lead ChairmanShaped brand identity across digital platforms to appeal to investor and industry audiences.
• Supported development of annual marketing plans aligned with business objectives to drive strategic marketing initiatives.
• Produced written and visual materials for investor decks, industry conventions and sustainability and technology panels
• Analysed sales data, contributing towards improved product positioning strategies.
• Developed editorial calendars and sourced press materials, translating technical maritime content for public and investor audiences

• Created and maintained detailed ledger accounts, ensuring accurate records of financial transactions
• Reconciled accounts payable and receivable to support the accuracy of financial reporting
• Entered, verified and organised financial data within U.S. government databases for audit and reporting purposes

My degree examines how cultural objects acquire meaning, authority and value, and how institutions determine what is preserved, displayed and recorded. The course combines critical theory with applied practice, so alongside written analysis I have worked directly with archive material, produced public-facing interpretive texts, and delivered exhibitions with institutional partners. This has given me a working understanding of the protocols governing how objects are documented, handled and presented, and of the research process required to establish an object's context and significance.

• Co-produced an exhibition drawn from Stephen Willats' 1972 West London Super Girls archive, displayed in the CSM library: cataloguing, records maintenance, research and public interpretation
• Proposed dissertation tracing the transformation of artworks from cultural objects into market commodities. Examining how artistic value is constructed, mediated and converted into financial value, using Mark Rothko's market trajectory as a case study.
• Student Representative , BA Culture, Curation and Criticism [Sept 2025 – Present]
• Treasurer, Art Business Society [Sept 2025 – Present] Set and monitor the society's annual budget, tracking expenditure across events and approving costs before commitments are made. Negotiate speaker and venue costs, prepare funding applications, and reconcile actual expenditure against budget at the close of each event

GPA 3.8/4.0

• Completed AP Studio Art, AP Psychology, and AP Human Geography
• Graduated with Honours