David Early

DMP artist on a number of commercials, film and TV projects, including:

"The Gilded Age" - BeloFx

"KFC- Believe in Chicken 2" - Black Kite Studios

"TPU" Pixomondo

"Land Rover Discovery" - Ewanme Productions

"Samsung phone" Black Kite Studios

"Grand Slam" - Electric theater Collective

Manged a team of 15 UK and France based Environment artists. Increased department size (from 4) and implemented much-needed change to legacy workflows and practises, working closely with all other VFX department heads. Supervised Environment creative output, and contributed digital matte paintings for various projects, including:

• Scoop (Netflix Original Movie)
• The Family Plan (Apple Original Movie)
• Genie (Peacock Original Movie)

Created Digital Matte Paintings for Ridley Scott's 'Napoleon' Feature film, for in-house client production team at Twickenham studios.

Managed a team of approx. 70 Environment staff. Grew and established new working practises and methodologies. Handled all department staff issues; Hiring, deployment and managing of artists. Oversaw training and upskilling. Projects included:

• House of the Dragon (HBO series)
• Wheel of Time (Amazon series)
• Prehistoric Planet (BBC / Apple series)

As Head of Department in Film division, oversaw training, professional growth and creative output of approx. 20 DMP artists in London and Montreal Offices. Worked closely with Management to build a larger, unified 'Environment Department' to meet growing demands of film work. Also supervised the DMP and Environment output for the newly formed Episodic TV and Commercials division. Projects included:

• The Witcher (NETFLIX)
• The Crown Season 4 (NETFLIX)
• Beauty and the Beast
• Guardians of the Galaxy 2
• The Martian
• Robocop (2014)
• Fantastic Beasts and Where to Find Them
• Sherlock Holmes: Game of Shadows
• Warhorse
• The Chronicles of Narnia
• Clash of the Titans