Tristan Griffiths

- VFX Producer - Allison Paul

- VFX Supervisors - Christopher Townsend, Julian Foddy

- Pre/Shoot/Post Production

• Coordinated with vendors and team coordinators on shared shots, assets, and previs to ensure clear communication on material changes and deadline updates for a large high-end project with multiple moving parts.
• Monitored multiple vendors simultaneously, ensuring timely updates and communication across previs/postvis, graphics, and feature vendors, including The Third Floor and internal Marvel vendors.
• Organised and ran Tech Check sessions with supervisors to final shots for the feature.
• Created and ran Cinesync sessions during vendor reviews and took clear notes throughout.
• Worked closely with supervisors to ensure that their feedback notes were given to vendors in a timely and legible manner.
• Attended Editorial, Director, and Studio reviews, clearly articulating the rationale behind my shots for comprehensive evaluation.
• Organised and categorised assets from vendors on the server, enhancing tracking and accessibility for approvals and deliveries.
• Kept the Filemaker database organised and that shot statuses were updated. This allowed me to gain an intermediate understanding of Filemaker systems.
• Gathered and provided all manner of references using a large understanding and knowledge of the Marvel Cinematic Universe and comics.

- VFX Producer - Anne Akande

- VFX Supervisor - David Houghton

- Pre/Shoot/Post Production

• Coordinated tight deadlines across multiple vendors, ensuring projects delivered on schedule.
• Maintained up-to-date trackers and provided weekly Finals reports for post production and executives.
• Organised vendor review schedules, ensuring timely presentations and swiftly addressing overruns.
• Communicated feedback to vendors on rejected shots, coordinating estimated delivery times for revisions.
• Sending SyncSketch links out to Execs, Directors and Writers for reviews.
• Gained knowledge of Shotgrid tracking systems to improve workflow efficiency.
• Sending LiDar scans to Vendors and tracking when they were sent.
• Processed licences required for legal use of items in production.
• Supported various departments in the Doctor Who production process

- Vendor VFX Supervisor - Al Kang

- Pre/Shoot/Post Production

• Coordinated schedules and resources for Doctor Who production, ensuring timely progress and adherence to project timelines.
• Scheduled artists' work and assigned deadlines to them.
• Ensured the team had the necessary resources to complete assigned tasks.
• Tracked shots for storyboarding, previs, techvis, motion capture, and postvis to facilitate seamless production workflow.
• Facilitated artist presentations to directors and executives for effective project review.
• Communicated feedback to the team in a clear and concise manner.
• Liaised with other departments so that everyone had not only what they needed but knew what they needed to do with it.
• Delivered daily and weekly updates to departments, fostering alignment and clarity on team progress and project status.
• Documented meeting outcomes to ensure clarity and follow-up on action items.
• Organised work into category folders to streamline access and prevent loss.

- VFX Producer - Bryony Duncan

- VFX Supervisor - Russell Dodgson

- Pre/Shoot/Post Production

• Coordinated schedules and resources for production of His Dark Materials series, ensuring timely completion of milestones.
• Facilitated team meetings and communicated schedule changes and venue details to relevant departments to support project alignment.
• Planned travel and accommodation logistics for location shoots and post-production meetings.
• Oversaw office operations, ordering supplies and maintaining workspace organisation to promote an efficient working environment.

- Onset Supervisors - Al Kang, Gavin McKenzie, Grant Everett.

- Shoot Production

• Logged shoot data in Filemaker database for VFX Production Manager, facilitating accurate tracking of project progress.
• Produced end-of-day reports for VFX Producer and VFX Supervisor, highlighting daily progress and challenges to inform next steps.
• Captured references including HDRIs, Macbeth charts, and Silver/Grey balls to support VFX production quality.
• Set up and operated witness cameras, both on set and in studio for creature ADR sessions.
• Coordinated schedules and resources for production of 'His Dark Materials', ensuring smooth workflow and adherence to timelines.