Roisin Larkin

22 x Episodic Series. Release date 2026. 2D Animation CG Layout. Director: NDA

Artists used the software Maya, TVPaint, Substance, AfterEffects

Jan - April

Brought in as the Coord and PM role for the Lighting department for 16 of the 22 EPs. Unfortunately the dept had become six weeks behind schedule. Through strategic planning and team coordination, we completed the project two weeks ahead of the revised deadline. Responsibilities PM; bids, scheduling, developing new render processes, weekly internal + client reporting, client submissions+reviews, artist work rates and requests. Coord; Reviews, artist management, SG page development, scheduling internal and external meetings, assisting the resolution of tech+creative issues in production.

Oct - Dec

Worked with writers, the directors and the CG pipeline to develop a client requested 'comedy punch up' script rewrite across 22 episodes. Responsible for the production and seamless integration of out of scope work into a live project. The changes to script effected all 22 eps, 12 eps were in live production in several departments so clear problem solving and scheduling were paramount. Reporting to the Line Producer.

Short Form Film. Release Nov 2024. 4 mins 30sec. CG Animation in stop motion aesthetic. Director: Simon Cartwright.

Artists used the software Maya, Houdini and Nuke. Responsible for CG Animation, Comp + QC departments with teams over 40+ Artists.

Developed the SG pages for my departments, responsible for the tracking and scheduling of creative feedback from director and client. Leading dailies with HODs and weekly director reviews. Created clear communication channels for creative and technical problem solving. Responsible for drafting and managing schedules for departments. Developed new reporting processes to flag artist working rate concerns. Managed artists OT.

Commercial. Released Jan 2024. 30sec. CG Animation.
Director: Geoff Parsons. Client: Electric Theatre Collective.

Artists used the software Houdini and Nuke.

Worked as a bridging producer for Saurus animation as they are based in Oslo. Responsible for in-person client reviews with ETC in London, scheduling the production, weekly reporting, budget reporting, pre post and delivery of the project. Attended the Oslo studio for 3 weeks as part of the live production phase.

May - Aug

Short Form Film. 8mins 30sec. CG Animation

Director: Nicos Livesey. Client: Chick Fil-A.

Artists used software Houdini and Nuke.

April - Jan

Short Form Film. Kizazi Moto Generation Fire - ‘Enkai’. 10mins 30sec. CG, 2D and Stopmotion Animation. Disney+

Director: Ng’endo Mukii. Client: Disney.

Artists used software Maya, Substance and AfterEffects.

Projects include; Mobility Pavillion 2020 Dubai, Holographic Theatre Production 2021 Shanghai, Electronic Music Centre 2021

Chengdu.

Responsible for coordinating and supporting multiple departments; tech, creative, CG, 2D animation, architect teams across various projects, organising and driving internal meetings, goals and reviews, tracking and managing artists workflows and final submission of deliveries.

Organising and supervising VO recordings and small shoots. Creating SOWs, POs/Invoicing, resourcing, interviewing and onboarding new talent. Responsibility for the video design section of the project’s budget and reconciliation of budgets. Developing internal production processes, workflows and filing systems.

Developing animation and VJ skills for eventual use in Live tours. Artists RO supported include Skepta, La Roux, Carl Cox, Adam

Beyer. Junior VJ at Resistance Ibiza 2019