Summary
Overview
Work history
Education
Skills
Timeline
Generic

Michael Aldersley

Lighting Technician
Wembley,Brent

Summary

In my spare time I’m a digital content producer with a strong fascination of lighting in film, photography, and live events. With experience across creative and technical roles, I’ve developed a professional and well-mannered approach to work, always appreciating the significance of lighting to shape mood, highlight detail, and elevate visual storytelling.

Lighting, for me, is not just a technical requirement—it’s a design language that adds presence, atmosphere, and intention to any environment. I understand its significance both functionally and aesthetically, and I thrive in settings where I can use lighting to enhance the visual impact of a production.

A reliable team player who communicates clearly and acts decisively under pressure, I feel most rewarded when collaborating to overcome creative and logistical challenges.

At this stage of my life, my priority is to pursue more of what I love. This includes lighting design, filming, editing, exploring music and events, and discovering inspiring places and people.

Overview

5
5
years of professional experience
3
3
years of post-secondary education

Work history

Lighting Technician (current)

Spring Studios
Kentish Town, Camden
12.2021 - Current

Various Clients | 2021– Present

• Assisted with lighting set-ups on short films and photography shoots

• Shadowed DOPs and gaffers during location shoots

• Prepped and packed lighting equipment for transport

• Learned practical lighting techniques for interviews, portraits, and live events

• Gained hands-on experience with modifiers, gels, diffusion, and rigging

Lighting Experience & Technical Proficiency

Familiar with and confident using the following lighting brands:

• Aputure: C300d, LS 600x – bi-colour and daylight units

• Nanlux: Evoke Series – high-output fixtures for both indoor and outdoor use

• Arri: Fresnels, L-Series LED, and traditional tungsten units

• Dedo: Precision lights for detailed, controlled lighting in confined spaces

• Profoto: Studio strobes and continuous lights for commercial photography

• Briese: Large parabolic modifiers and continuous systems for cinematic shoots

• SkyPanels (ARRI): S60 and S120 models – used for versatile colour-mixing on set

I understand light placement, shadow control, colour temperatures, and the impact of lighting on tone and emotion. Whether for decor, drama, or documentary-style shoots, I adapt lighting to support the production’s intent.

Set Co ordinator

Pinewood Studios
Iver Heath, Buckinghamshire
09.2020 - 09.2021

• Liaising between contractors and lighting/material vendors

• Verifying lighting and set equipment deliveries

• Negotiating best prices between lighting suppliers for production needs

• Managing delivery logistics and set material transportation

• Coordinating set builds with prop and design teams

• Researching and headhunting vendors for future productions

• Sustaining supplier relationships across multiple departments

• Supporting set creation across 4 studios

• Co-operating with set designers and managers to enforce immediate changes

• Involved in basic lighting rig support and equipment placement

Education

Diploma of Higher Education -

University of East London
London
09.2017 - 06.2020

Skills

Lighting Design Understanding

Positive Mental Attitude

Technically Proficient with Lighting and PAT test Certified

Strong Visual Awareness

Administration & Logistics

Attentive & Collaborative

Team Player

Strong Interpersonal Skills

Excellent Written & Verbal Communication

Results Driven

Inquisitive & Explorative

Respectful & Professional

Coordination & Planning

Ambitious & Self-Motivated

Timeline

Lighting Technician (current)

Spring Studios
12.2021 - Current

Set Co ordinator

Pinewood Studios
09.2020 - 09.2021

Diploma of Higher Education -

University of East London
09.2017 - 06.2020
Michael AldersleyLighting Technician