Luan Hall

Delivered high-quality compositing for a major crisp commercial. Produced engaging content for various crisp styles, enhancing overall brand visibility. Facilitated collaboration among three CG artists, contributing to seamless project execution.

Delivered high-quality visual content through effective collaboration with the supervisor. Resolved lighting and colour issues to improve overall production quality. Ensured visual consistency by advocating for a reshoot to meet brand standards.

Delivered compelling commercial visuals for iWatch series 9, showcasing various watch models and straps effectively. Enhanced project outcomes through expert manipulation of proprietary software, resulting in high client satisfaction. Achieved timely project milestones by coordinating closely with cross-functional teams and maintaining strict onsite presence.

Composited on the TV Series 'Sex Education', Prep and Comp tasks.

Assisted compositing team in Doncaster at Firebrand during evaluation for team suitability. Completed compositing shots and provided feedback on roto work. Engaged with compositing supervisor to understand team dynamics.

Used node-based compositing strategies to Key on 'Nautilus', streamlining the post-production process.

Worked closely with Compositing Lead and Supervisor to create shots for 'Outlander' and 'Yellow Jackets'. As well as some prep tasks working in paint on wig line hair integration.

Worked across a number of shows namely 'The Rookie' & 'Doc Martin' in Comp.

Working on the TV Series 'Kangaroo Valley', the night time illuminous episode worked closely with the Supervisor on shots for a mouse, mushrooms and lions.

Assisted in rotoscoping tasks for 'Creed 3' with a large compositing team. Supported replacement of 3D background crowds by rotoscoping boxers in action. Collaborated with team members through online communication to enhance workflow.

Executed postvis compositing for 'Batgirl' street scenes, integrating CG vehicles with live action plates through precise 3D projections with sky replacements.

Assisted in initial setup on 'Pistol' by Danny Boyle with integration of up to three plates per shot for aerial street scenes. Supported screen replacements to enhance visual effects. Contributed to the addition of matte painting techniques as project requirements evolved.

Rotoscoping and prep tasks across a number of other shows at the Union.

Successfully enhanced USA Kia commercials through effective CGI and Compositing collaboration. Achieved seamless logo updates to strengthen brand consistency. Delivered subtle yet impactful CGI improvements to live action scenes. Ensured timely project updates through efficient communication with company leadership.

Contributed to the success of 'Saloum' film production as part of a high-performing team.

Worked with Compositing Supervisor Aurora who I had previously known from Cinesite on screen replacements and digital photo enhancement for 'The Batman: Vengeance'. Working across ten shots to create seamless look and continuity.

Comp tasks for TV show'Alex Rider', squib removal, rotoscoping prep tasks. One shot on 'Oppenheimer' included the kronos time warp node.

Oversaw course delivery and student support for master's programme in digital effects. Collaborated with senior faculty to enhance curriculum and instructional strategies. Mentored students, fostering a productive learning environment and promoting academic excellence.

Supported students in an 8-week VFX teaching programme on Friday afternoons. Full DBS check clear of any offences with the law. Assisted in the development of foundational skills in visual effects for 8 students.

Assisted in keying nuke processes on 'Outlander' to isolate foreground elements from backgrounds. Utilised keying techniques with green and blue screens for creating mattes based on colour or luminance values. Supported compositing tasks with tools like Keylight, Primatte, and IBK for extracting clean alpha channels.

Facilitated project efficiency by implementing a structured filing system (by unpacking boxes) for visual effects assets on 'Breathe' 2017, directed by Andy Serkis. Drove collaboration with producers to enhance project outcomes during production phases in Comp. Delivered specialised support in mechanical VFX shots, contributing to creative project success. Worked on 'The Ritual' as Comp/ Prep Artist.

Utilised deep layer compositing techniques to seamlessly blend CGI elements with live action plates in 'The Martian' and 'The Jungle Book' for 3D stereoscopic viewing.

Prep tasks 'Avengers: Age of Ultron'. Rotoscoping across loads of wide shots for 'Geostorm' on green screen and some keying. Rotoscoping 'Race'.

Delivered engaging advertising content for 'les furets' that resonated with target audiences.
Drove innovative campaign elements, including safari scenes, to enhance viewer engagement.
Achieved heightened brand visibility through unique compare the market narratives.

Assisted with screen replacements for Oscar-winning feature film 'Ex Machina'. Contributed to 3D projection tasks as required in Nuke by the Foundry. Supported rotoscoping and preparation tasks for 'Hercules'.