FOAD SHAH

In-House Compositor on Netflix "Ladies First". Collaborated closely with Director and Editorial, Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Warner Brother's "Animal Friends". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Paramount Pictures "Gladiator 2". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Marv's "Argyll". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Paramount Pictures "Mission Impossible: Dead Reckoning Part One". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Apple Studios "Napoleon". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Disney's "Willow". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Warner Brothers "Fantastic Beasts: The secrets of Dumbledore". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on BBC's "People just doing nothing". Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Netflix "Outside the Wire". Collaborated closely with Director and Editorial, Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Studio Canal's "A boy called Christmas". Collaborated closely with Director and Editorial, Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Netflix Six part series "A Letter for the King". Collaborated closely with Director and Editorial, Comps taken from temps to final composites. Integrating of live-action and digital elements.

In-House Compositor on Paramount Pictures "Dora the Explorer". Collaborated closely with Director and Editorial, Comps taken from temps to final composites. Integrating of live-action and digital elements.

Nuke compositor on various television and motion picture projects such as Paramount/TNT's “The Alienist”, “The Foreigner”, and BBC’s “Bodyguard”. Integrating of live-action and digital elements.

VFX Compositor on Warner Brother's "Wonder Woman". Collaborated closely with Director and Editorial, enhancing the storytelling process through effective visualisation techniques.

VFX Compositor On Marvel Studios "Dr Strange". Collaborated closely with Director and Editorial, Comps taken from temps to final composites.

Collaborated with the editorial team on visual effects for King Arthur: Legend of the Sword production. Collaborated closely with Director and Editorial, enhancing the storytelling process through effective visualisation techniques.

VFX Compositor on Paramount Picture's Mission Impossible: Rogue Nation. Collaborated closely with Director and Editorial, enhancing the storytelling process through effective visualisation techniques.

Developed visual effects for twelve-part NBC series A.D. The Bible Continues, enhancing storytelling and audience engagement.

Created visual effects for Uefa Champions League title sequence. Integration of bluescreen and CG elements.

Created high-quality visual effects as Nuke Compositor for music videos and commercials, delivering engaging content for clients including Nokia and Sony.

Composited visual effects for BBC's 'Atlantis' television series, enhancing storytelling through seamless integration of live-action and digital elements.

Created Idents and Commercials for clients including Nokia and Sony, enhancing brand visibility and audience engagement.

Stereoscopic Compositor using Nuke on BBC's “Mr.Stink”.

Visual Effects Compositor on “G.I. Joe: Retaliation” using Nuke. Integrating of live-action and digital elements.

Visual Effects Compositor on Disney’s “John Carter” using Nuke. Integrating of live-action and digital elements.

Created complex visual effects for projects including “Doctor Who” and “Merlin” using Nuke. Integrating of live-action and digital elements.

Visual Effects Compositor on projects such as “Where the Wild Things Are” and “Clash of the Titans” using Nuke. Full stereoscopic compositing using Nuke on “Avatar”.

Visual Effects Compositor on projects such as “Doctor Who”, “Merlin” and “The Damned United” using Shake. Integrating of live-action and digital elements.

Visual Effects Compositor on various projects including “Harry Potter and the order of the Phoenix”, “The Bourne Ultimatum”, “Cloverfield” And “Hellboy II;The Golden Army” using Shake. Integrating of live-action and digital elements.

Visual Effects Compositor on Gerry Anderson's "The New Captain Scarlet” animated series using Shake and After Effects.

Visual Effects Compositor on the HBO produced “Life and death of Peter Sellers” using Shake and Commotion.

Visual Effects Compositor on the Miramax produced “Ella Enchanted” using Shake and Commotion.

Post production and visual effects compositing work on various film and television productions using compositing tools such as Shake, AfterEffects and Commotion.

Film handling for preparation and scanning. Full digital film scanning and recording. Booking In and basic calibration duties.