Daniel Mullins

• Easing away aches and pains, tension and anxiety, improving range of motion in restricted limbs.
• Kept detailed records of treatments provided for future reference and continuity of care.
• Managed appointment schedules efficiently whilst ensuring optimal client satisfaction.
• Provided education on stretches and exercises, contributing to client's long-term health improvement.

Working in Portobello Care homes inspiring movement, dance and song with guitar and voice or speaker and playlist.

• 'Golden Oldies' playlist made in response to personal conversations with members and staff.
• Movement group inspired by 5 rhythms dance and working for a physiotherapist.
• Adopted flexible approach in response to unforeseen challenges.
• Fostered inclusive atmosphere with proactive engagement strategies.

• Engaging kids in games, stories and educational fun. Indoors and out.
• Ensuring kids are safe and don't twat each other. Encouraging respect, awareness and concern for others.
• Cleaning responsibilities.
• Covid ended this work.

• With members from 16 - 80, some with additional support needs implemented playful ice-breakers for effective team building.
• Members have diverse communication styles ( from non verbal to hyperactive ).
• Activities were member led and included singing and dancing, theatre games, basketball, drawing, bowling and a craft stall.
• Fostered an inclusive atmosphere with proactive engagement strategies.
• Absorbed participant feedback for continuous improvement of sessions.
• Monitored group dynamics to ensure group safety and involvement.
• Promoted active learning through dynamic facilitation techniques.

• Acoustic guitar/ voice, originals/cover songs on the street, in pubs, cabarets, festivals, weddings and wakes - Knochengorrach, Kelburn, Edinburgh Fringe etc.
• 3 full runs of Edinburgh Festival including various guest appearances.
• Eclectic inspiration, adaptable to diverse audience. Folk, funk, reggae, rock family friendly and adult repertoires.
• Performed solo and collaborated in duo, trio, or four-piece band configurations.
• 3 star review from Broadway Baby for solo show 'Imaginary Girlfriend'
• Love to improvise music with friends.
• Toured as drummer with 'Bob Hilary and the Massive Mellow' for 'Nature's Pace' album release.
• Grade 7 Pianoforte. I have a Korg Triton keyboard ( makes all kinds of sounds ).
• Musical Comedy experience. Well received performance at The Stand's 'Red Raw' for 1st show.
• These days playing socially or devotionally in spiritual groups.

• Performed acting and musical roles in educational theatre productions
• 'It's My Turn' was based on research by Edinburgh University Psychology department into the importance of turn taking in conversation. Aimed at young neurodiverse audience and their families.
• Delivered performances in venues across Edinburgh and Glasgow

• Supporting adults and children with additional support needs in creative workshops. Learning disabilities, cerebral palsy, neurodivergence...
• Mostly working one to one with a guy who enjoyed wild style movement. Made playlists based on his suggestions and we'd dance.
• Enhanced wellbeing of members by providing emotional support and companionship. Encouraged members not to twat each other.
• Provided companionship during outings contributing to an active social life for clients.
• Also supported other workshops as needed - drama, puppetry, land group, drama, kitchen.

• Portrayed musical elf in Christmas show, guiding children through WHALE arts to meet Santa.
• Improvised festive music on voice and guitar, enhancing storytelling experience for the audience.

• Walkabout character performance in Stirling shopping centre with characters and a mock-up castle.
• Improvised games with kids based on the story theme.

• Learning, Touring, Performing ( teaching ) Foolish Theatre with director Jonathan Kay. Continuous scratch performances and Fools Cabaret. Mostly UK venues but some in Europe - France, Spain, Germany, Different venue each month.
• 3 full runs of Edinburgh Fringe Festival working solo and one year's full run with the company too.
• Living and working with newcomers to the workshops, usually for ten days at a time.
• Regularly performing with improvisation and script. Regularly working with complete beginners and 'beginning again' from scratch. Regular theatre exercises. Scripted work - Shakespeare's Richard the 2nd & The Penis Monologues ( devised by us ).
• After three years the company became independent of the director and toured, performed and self organised with minimal input from him.
• 'Imaginary Girlfriend' my solo musical show was given three stars by Broadway Baby.
• My musical comedy spot at The Stand Comedy Club's 'Red Raw' was very well received.
• Socially inclusive but not a disability support group. Therapeutic but not a therapy group.

• Toured 'The Pine & the Eagle' musical across Scotland, engaging children in environmental issues.
• Played badger, sheep and a landowner.
• The Director Malcolm le Maistre had played in the Incredible String Band.
• Sang soulful silly songs satisfyingly.