Proactive Sound Designer and Composer from an Iraqi background with experience in recording, mixing, and live sound, as well as expertise in some musical instruments (with a focus on bass and hardware synthesisers). Known for working calmly and efficiently in high-pressure environments.
Directed by John Savournin and Benji Sperring
Directed by Nerida Bradley
Directed by Joe McNeice
Directed by Darren Raymond and Stevie Basaula
Directed by Sinéad Rushe
Directed by Russell Bolam
Directed and Co-written by James Yeatman and Lauren Mooney
Directed by Luke Howarth
Sound Design by Tony Gayle, Directed by Anna Coombs
Directed by Majid Mehdizadeh
Co-Sound Design with Max Pappenheim, Directed by Tom Littler
Original Sound Design by Dan Balfour, Directed by Jack Lowe
Sound Designer Lee Kinney, Directed by Danya Taymor
Directed by Russell Bolam
Performed at the Jack Studio Theatre, Directed by Oliver McFadden
Created by Opsis (Ali Taie & Layla Bradbeer), Directed by Charlie Douglas
Filmed via Zoom and published on YouTube, Created by Opsis (Ali Taie & Layla Bradbeer), Directed by Charlie Douglas / Clodagh Chapman
Sound Design by Max Pappenheim and Nicola Chang, Directed by Tom Littler, Cat Roby, and Adjoa Andoh.
Sound design, sound engineering (live/studio), recording and mixing, music production (electronic), audio and video editing, photography/videography, screenwriting
Experience in QLab (Advanced), panLab (Advanced), Dante (Intermediate, Level 2), Logic Pro (Advanced), Ableton Live (Advanced), FMod (Intermediate), Vectorworks (Beginner/Intermediate), Final Cut Pro (Intermediate), Adobe Premiere (Intermediate), Adobe Lightroom (Intermediate)
Good communication and perseverance skills with a willingness to learn, and the ability to pick up newfound knowledge and understanding quickly
Fluent in English, Arabic, Conversational in French